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Could you please describe in detail the design in your render? What are the selected items from Space Furniture in your design concept?
The space is conceived as a quiet retreat within nature, cinematic and structured around a central axis that frames the landscape and life within. The scale is deliberately human and intimate, where moments of life emerge through the juxtaposition of the foreground and mid-ground. The living space, the foreground, draws on the quietness and inspiration of a library. The atmosphere is gentle, contemplative and layered. The dining area, the mid-ground, is imagined as its counterpoint; a space of warmth, conversation and gathering.
Materiality creates a quiet balance. Warm timber in the ceiling and joinery, paired with cut-out marble flooring, echoes the surrounding landscape, while burgundy lacquered shelving and patinated metal cabinetry introduce a contrast through their reflection. The palette becomes a dialogue between stillness and movement, solitude and togetherness.
The living space is intentionally quieter, with the Baxter Nuvola floor lamp casting a soft and diffused glow. We selected pieces that feel light yet considered — the Living Divani Lemni and the Giorgetti Move rocking armchair offer sculptural presence with controlled motion, while the Edra On the Rocks sofa sits low and generous, almost like another sculpture. Objects from different periods are layered intentionally, including the Adjustable Table E1027 by Eileen Gray, produced by ClassiCon, introduces a refined contrast to the more tactile and sculptural pieces surrounding it.
The dining area is a lively space, set against the landscape as backdrop – where food is shared and conversations extend. The Bocci 73.11V suspension lamps float above the Baxter Loom table like drifting clouds. A subtle kinetic quality emerges in the suspended glass forms, while the table’s rhythmic base draws from American kinetic art, bringing a quiet sense of movement into the space.
The artwork is one we have in our own studio. Its tones informed the palette, allowing colour to be introduced in a way that feels personal and grounded. Playful elements like the Opinion Ciatti Ptolomeo Vino Wine Rack and the Flos In Vitro Wall Lamp inject life into the space.
Could you describe the uniqueness of your design style and how has it evolved over time?
Our design approach is rooted in restraint — a curation of atmospheres, a dialogue between eras, creating spaces that resonate with our clients. We see design as layered and nuanced, shaped by context and by those who inhabit it. It is grounded in an ongoing interest in proportions, materiality, and how spaces unfold over time.
Over the years, our perspectives have become more expansive and precise. We have grown more attentive to context, not just physically, but culturally and emotionally. Our work today is co-authored with our clients, formed by their habits and stories. We aim to create meaning within everyday life, shaping atmospheres that are felt rather than simply seen, where even the smallest details carry weight.
(From left) Aitong Yu and Samantha Ho
What were some of the latest projects you're most proud of?
One of the projects we thoroughly enjoyed was a private members’ club along Eu Tong Sen Street, set within a historic context. The brief was to create a social space for the client and their stakeholders —one that could host both intimate conversations and more formal discussions. Drawing from classical Chinese references, the design was interpreted in a contemporary and restrained way.
The client placed strong emphasis on feng shui, so we worked closely with their fengshui masters throughout. The concept was anchored around the five elements — metal, wood, water, fire, and earth, which was translated through materiality rather than symbolism. Spatial hierarchy was key; we carefully calibrated the sequence of rooms, from private lounges to focused meeting areas and quieter spaces like a tea room. It was a project based on research, sensitivity, and discipline.
Another project we’re particularly fond of is a private residence at 19 Nassim. The client had been collecting artworks for over forty years, and the design became an exercise in curation— ensuring each piece had its place without overwhelming the space. The interiors were intentionally restrained, allowing the artwork to take precedence.
As the home is used for holidays and when they come for business meetings, we approached it as a “home away from home” — balancing comfort and clarity through familiar artworks, clean and comfortable furnishings and a quiet sense of luxury.
What kind of meaningful interior design projects would you be keen to work on moving forward?
We are particularly drawn to projects that engage more deeply with culture and sustainability. We are interested in spaces that carry cultural narratives – where design becomes a way of interpreting heritage and identity. Sustainability is an area that we hope to grow in; to explore more conscious approaches, thoughtful detailing and to value longevity and patina. We are also very keen to learn and collaborate closely with artisans and craftsmen locally, and overseas. There is beauty and authenticity that come from working with hands, or with processes that are grounded in time and tradition.
How does Space Furniture support your design/architectural endeavours?
The collection at Space Furniture allows us to design across different contexts and typologies. It brings together a diverse range of brands and styles, and iconic pieces. Equally valuable is the team’s depth of knowledge – their understanding of the history, designers and makers behind each piece. They are also very helpful with their advice on material specifications and proportions. It gives us confidence when we propose to clients.
What are some of the furniture brands from Space that have inspired you?
Baxter for its materiality, colours and tactility – there’s something very rich and expressive about their pieces, yet they still feel soft and lived-in, never too precious.
Poliform for its timelessness and elegance. The silhouettes are clean and refined, and everything feels very considered – their pieces hold spaces very effortlessly. And, Bocci for the way they experiment with forms and light. The way Bocci lighting is cast adds a sculptural, almost emotional quality to a space.
For more information, visit: spacefurniture.com.sg
